Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach over an organisational system of work, after the model of
industrial production and totalitarism, collective spirit,
with ideology, which means: not the individual, but the
speaks. Our is industrial, our language political. Laibach is a
recognition of time universality. Its organisational is an
intense agitation and a systematic propagating, ideological
offensive. Any social activity affects the mass. Laibach as a
creative allusion of strict institutionality, identification
institution, as theatre, or popular culture with a centralized
programme. One transmitter and a of receivers, and with a
communication through uncommunication. Laibach's approach is a
move to the area of pure politization of as a means of manipulating
the masses. When, in politically and economically situations,
the antagonism in society is strained, only force remains as the
ultima ratio of integration. The force must adopt the form of
systematic, physical and terror, organized in accordance with
social relations. Terror is obtaining a function of power,
which extorts discipline and an of the mass, to the existing
relations, and the existing productional apparatus. For the
totalitarian of government, the systematic terror becomes a
constitutional instrument of authority. the mystic,
erotic-mythological sound, constitution of an ambivalence fear and
fascination, which rudimentarily affects the of people,
through stage performances of demonstration of political power,
and through other manipulative of an individual, Laibach practises a
sound force, in a form of systematic, terror as social
organisational principle, in order to effectively and raise a
feeling of total bond of a certain, revolted and alienated
audience, which results in a state of collective [athasia?], is the
principle of organisation. In this sense, the function of Laibach,
sound constructions, and of rock concerts is to challenge
emotions and automatic associations, and as such it serves as the of
working stimulation. By darkening the consumer's mind, it him into
a state of humble and total obedience, self-sacrifice, by
destroying every trait of individuality, it melts the into a
mass, and mass into a humble, collective body. The of Laibach's
message, perception and receiver's structure uncovers the neurosis.
Laibach unites the and antagonistics into an expression of static,
totalitarism cry. Our inspiration, ideals which are not ideals to
their form, but the of Laibach, manipulation of self, remains an
industrial art of the Third Reich, totalitarism, taylorism,
bruitism, disco. rhythm, as a regular repetition, is the purest, the
most radical of the militantly organised rhythmicity of technicist
production, and as such the most appropriate means of manipulation.
As an archetypal structural basis of the collective in a
worker mass, it automatic mechanism, and shapes
industrialisation of consciousness, is necessary in the logic of
massive, totalitarian, production.
[I had to write this one by ear... Took me hours.]