Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach takes an organisational system of work, after the model of
industrial production and totalitarism, spirit, identification
with ideology, which not the individual, but the organisation
speaks. Our is industrial, our language political. Laibach is a
of time universality. Its organisational activity is an
intense agitation and a constant systematic propagating,
offensive. Any activity affects the mass. Laibach functions as a
creative allusion of institutionality, identification with
institution, as stock theatre, or popular culture a centralized
programme. One and a multitude of receivers, and with a
communication through uncommunication. Laibach's approach is a
move to the area of pure of sounds as a means of manipulating
the masses. When, in politically and economically situations,
the antagonism in society is becoming strained, only remains as the
ultima ratio of social integration. The force adopt the form of
systematic, physical and psychic terror, organized in with
social relations. Terror is obtaining a function of power,
extorts discipline and an adaptation of the mass, to the existing
productional relations, and the productional apparatus. For the
totalitarian form of government, the systematic terror a
instrument of authority. Through the mystic,
erotic-mythological sound, constitution of an between fear and
fascination, which affects the consciousness of people,
through stage performances of ritualized demonstration of power,
and through other means of an individual, Laibach practises a
sound force, in a form of systematic, psycho-physical terror as
organisational principle, in order to discipline and raise a
feeling of adherence bond of a certain, revolted and alienated
audience, which in a state of collective [athasia?], which is the
principle of social organisation. In this sense, the of Laibach,
sound constructions, and of rock concerts is to collective
emotions and associations, and as such it serves as the means of
working stimulation. By darkening the consumer's mind, it drives him
a state of contrition and total obedience, self-sacrifice, by
destroying every trait of individuality, it the individuals into a
mass, and into a humble, collective body. The dualism of Laibach's
message, perception and structure uncovers the social neurosis.
Laibach unites the biters and into an expression of static,
totalitarism cry. Our basic inspiration, ideals are not ideals to
form, but the material of Laibach, manipulation of self, remains an
industrial production: art of the Reich, totalitarism, taylorism,
bruitism, disco. Disco rhythm, as a repetition, is the purest, the
most radical form of the militantly organised rhythmicity of
production, and as such the most appropriate means of manipulation.
As an archetypal structural basis of the collective in a
worker mass, it stimulates automatic mechanism, and
industrialisation of consciousness, which is necessary in the of
massive, totalitarian, production.
[I had to write this one down by ear... me hours.]