Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
takes over an organisational system of work, after the model of
industrial and totalitarism, collective spirit, identification
with ideology, which not the individual, but the organisation
speaks. Our work is industrial, our language political. is a
recognition of time universality. Its organisational is an
intense agitation and a systematic propagating, ideological
offensive. Any social activity the mass. Laibach functions as a
creative allusion of institutionality, identification with
institution, as stock theatre, or culture with a centralized
programme. One and a multitude of receivers, and with a
through uncommunication. Laibach's musical approach is a
move to the area of pure politization of sounds as a means of
the masses. When, in politically and complicated situations,
the antagonism in society is becoming strained, force remains as the
ratio of social integration. The force must adopt the form of
systematic, physical and psychic terror, organized in accordance
social relations. Terror is obtaining a of productional power,
which extorts and an adaptation of the mass, to the existing
relations, and the existing productional apparatus. For the
totalitarian form of government, the systematic terror a
instrument of authority. Through the mystic,
erotic-mythological sound, of an ambivalence between fear and
fascination, which rudimentarily affects the of people,
through stage of ritualized demonstration of political power,
and through manipulative means of an individual, Laibach practises a
sound force, in a form of systematic, psycho-physical terror as
principle, in order to effectively discipline and raise a
feeling of adherence bond of a certain, revolted and alienated
audience, which in a state of collective [athasia?], which is the
principle of social organisation. In sense, the function of Laibach,
sound constructions, and of rock concerts is to collective
and automatic associations, and as such it serves as the means of
working stimulation. By darkening the consumer's mind, it drives him
a state of humble and total obedience, self-sacrifice, by
destroying trait of individuality, it melts the individuals into a
mass, and mass a humble, collective body. The dualism of Laibach's
message, perception and receiver's structure the social neurosis.
unites the biters and antagonistics into an expression of static,
totalitarism cry. Our inspiration, ideals which are not ideals to
their form, but the material of Laibach, of self, remains an
industrial art of the Third Reich, totalitarism, taylorism,
bruitism, disco. rhythm, as a regular repetition, is the purest, the
most radical form of the militantly rhythmicity of technicist
production, and as such the most appropriate of media manipulation.
As an archetypal structural basis of the unconscious in a
mass, it stimulates automatic mechanism, and shapes
industrialisation of consciousness, which is in the logic of
massive, totalitarian, production.
[I had to this one down by ear... Took me hours.]